Exhibits

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This exhibition, curated by the Farnsworth Museum, brought together 10 architects to reinterpret the original Farnsworth Homestead on the property for a contemporary family. This scheme links to the surrounding context by creating a south facing courtyard that breaks the building down into component parts that offer multiple connections to the outdoors on all level of the house.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This piece of furniture was designed for a specific space. It acts both as a buffet and as a screen to separate and define the dining and living room of the house. It was part of a show of architect designed furniture sponsored by the Center for Furniture Craftsmanship and exhibited at the Portland Museum of Art and the Messler Gallery in Rockport. Simple materials are used in unusual ways. Baltic birch, painted MDF and in a nod to the local marine industry swaged cable wire and stainless fittings to hold the pieces together in tension are assembled to make the whole greater than the sum of it’s parts. The piece was done in collaboration with Tom Brokish, a Portland based cabinet and furniture maker.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

Photo: Brian Vanden Brink

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

Photo: Brian Vanden Brink

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

Photo: Brian Vanden Brink

This house was part of an exhibition titled Maine Modernism: 50 Years of Modern Architecture in Maine shown at the pop-up Storefront for Architecture Maine in Portland, Maine in 2011.

Photo: Brian Vanden Brink

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

Our office was invited to take part in an inaugural lecture series, exhibit and symposium on Sustain-able Practices in Maine sponsored by the Architecture Program at the University of Maine in Augusta in 2009. These images are from the lecture delivered as part of the series.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.

Photo: Glenn Michaels Maine Maritime Museum

This new exhibit for the Blacksmith Shop at the Maine Maritime Museum is meant to evoke the original building on the site by using contemporary materials such as a steel frame, Corten corrugated panels and a wood frame roof structure. The combination of wood and steel references the ships built in the yard.